| Indicative Modules for BA (Hons) History and Music |
| Level |
Code |
Module Name |
| L1 |
HIL150 |
STUDY SKILLS |
| L3 |
HIL327 |
KINGSHIP, QUEENSHIP AND POWER IN LATE MEDIEVAL AND EARLY MODERN EUROPE |
| L4 |
HIL113 |
STUDIES IN GENDER AND HISTORY |
| L4 |
HIL124 |
CONTEMPORARY EUROPE |
| L4 |
HIL125 |
ENGLAND IN EUROPE C. 1154- C.1400: AN INTRODUCTION TO THE LATE MEDIEVAL WORLD |
| L4 |
HIL126 |
RETHINKING HISTORY: THEORY AND PRACTICE |
| L4 |
HIL127 |
HOLLYWOOD/PARIS AND THE MAKINGS OF NATIONAL IMAGINATIONS AND IDENTITIES |
| L4 |
HIL128 |
MODERN AND CONTEMPORARY BRITISH HISTORY |
| L4 |
HIL129 |
HISTORY, HERITAGE AND INTERPRETATION |
| L4 |
HIL130 |
THE MATERIAL WORLD: INTERPRETING HISTORICAL OBJECTS AND ENVIRONMENTS |
| L4 |
HIL131 |
FAITH AND DOUBT: RELIGION, CULTURE AND SOCIETY IN VICTORIAN BRITAIN |
| L4 |
HIL132 |
AFRICA AND THE AFRICAN DIASPORA IN THE MODERN WORLD |
| L4 |
HIL133 |
MOBILISATION AND THE HOME FRONT 1914-1919 |
| L4 |
HIL134 |
IMAGINED COMMUNITIES: REGIONALISM IN MODERN EUROPEAN HISTORY |
| L4 |
MUL111 |
MUSIC NOW |
| L4 |
MUL115 |
INTRODUCTION TO POPULAR MUSIC |
| L4 |
MUL116 |
STYLE & GENRE |
| L4 |
MUL117 |
THE POLITICS AND SOCIAL CONTEXT OF POPULAR MUSIC |
| L4 |
MUL151 |
MUSICAL GRAMMAR |
| L4 |
MUL152 |
WRITING ABOUT MUSIC |
| L4 |
THL131 |
INTRODUCTION TO CHURCH HISTORY |
| L5 |
HIL203 |
WRITING WOMEN'S HISTORIES: DEBATES AND DIRECTIONS |
| L5 |
HIL207 |
ORAL HISTORY |
| L5 |
HIL217 |
APPROACHES TO RESEARCH |
| L5 |
HIL229 |
WORK PLACEMENT: APPLIED HISTORY IN THE WORKPLACE |
| L5 |
HIL230 |
FROM 'THE ANGRY YOUNG MEN' TO COOL BRITANNIA?: A HISTORICAL ANALYSIS OF BRITISH CULTURAL ACTIVITY AFTER 1945 |
| L5 |
HIL231 |
FASCIST IDEOLOGY IN EUROPE: 1870 - 1945 |
| L5 |
HIL232 |
ENLIGHTENMENT EUROPE 1687-1788 |
| L5 |
HIL233 |
CULTURE AND CIVILISATION IN LATE MEDIEVAL ENGLAND 1200-1550 |
| L5 |
HIL234 |
HISTORY AND THE POSTMODERN |
| L5 |
HIL235 |
THE UNITED STATES: FROM THE REVOLUTION OF REASON TO THE GREAT SOCIETY, 1763-1970 |
| L5 |
HIL239 |
IDEOLOGY, POLITICS AND THE TEACHING OF HISTORY |
| L5 |
HIL240 |
STUART ENGLAND, 1603-88: REBELLION, RESTORATION AND REVOLUTION |
| L5 |
HIL241 |
COLONIALISM AND ANTI-COLONIALISM IN AFRICA |
| L5 |
HIL242 |
THE AFRICAN DIASPORA IN MODERN BRITAIN |
| L5 |
HIL243 |
VICHY FRANCE: THE SOCIETY CULTURE AND POLITICS OF COLLABORATION AND RESISTANCE |
| L5 |
MUL213 |
CLASSICISM |
| L5 |
MUL214 |
MODERN JAZZ: SEVEN STEPS TO HEAVEN |
| L5 |
MUL215 |
THE BAROQUE |
| L5 |
MUL216 |
READING POPULAR MUSIC |
| L5 |
MUL226 |
ARRANGING FOR INSTRUMENTAL ENSEMBLES |
| L5 |
MUL227 |
ARRANGING FOR VOCAL ENSEMBLES |
| L5 |
MUL252 |
MUSIC AND SOCIETY |
| L5 |
MUL254 |
PERFORMANCE ANXIETY |
| L6 |
HIL300 |
DISSERTATION - HISTORY |
| L6 |
HIL319 |
WAR MEMORY AND POLITICAL CULTURE IN WESTERN EUROPE |
| L6 |
HIL325 |
VICE TO VIRTUE? THE ORIGINS AND OUTCOMES OF THE FRENCH REVOLUTION 1744-94 |
| L6 |
HIL326 |
LOUIS XIV'S FRANCE, 1643-1715 |
| L6 |
HIL328 |
IDEOLOGY, POLITICS AND THE TEACHING OF HISTORY |
| L6 |
HIL329 |
SEX, GENDER AND THE VICTORIAN CITY |
| L6 |
HIL330 |
SPACES AND PLACES: READING LANDSCAPES AND LOCALITIES |
| L6 |
HIL331 |
DICTATORSHIP, CONFORMITY AND RESISTANCE IN HITLER'S GERMANY, MUSSOLINI'S ITALY AND STALIN'S RUSSIA |
| L6 |
HIL332 |
HISTORY IN THE GRAPHIC NOVEL |
| L6 |
HIL333 |
THE CULTURAL HISTORY OF DEATH |
| L6 |
HIL334 |
MEN, WOMEN AND RELIGION: BRITAIN, 1850-1918 |
| L6 |
HIL335 |
PAN-AFRICANISM |
| L6 |
MUL311 |
OPERA |
| L6 |
MUL316 |
ROMANTICISM |
| L6 |
MUL317 |
STRUCTURES AND POLITICS OF ROCK MUSIC |
| L6 |
MUL318 |
MODERNISM |
| L6 |
MUL319 |
CLUB MUSIC |
| L6 |
MUL326 |
ARRANGING FOR ORCHESTRA |
| L6 |
MUL327 |
COMPOSING FOR FILM AND MULTIMEDIA |
| L6 |
MUL352 |
EXPRESSING MUSIC THROUGH MOVEMENT & GESTURE |
| L6 |
MUL353 |
MUSICAL EVENT |
